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July 2010 Archive

22 July 2010
Pixel density and the end of the web as we know it

by Olly Lockett

A screen shot from a HPD (high pixel density) screen

Some people love Apple, some people are indifferent but one thing that’s become difficult to deny is that they have produced some revolutionary products that have changed the face of many industries. They’ve kept Microsoft and many PC manufacturers on their toes with computers and operating systems, the iPod – which received a cold reception from some quarters when it was launched – blew the portable music player industry apart, but surely it’s the iPhone that has changed the way people perceive electronics the most. It has not only changed how phones look and work but also peoples’ perception and expectation of how operating systems can be.

So another year, another iPhone. And this one has not been without its controversies! But I’d like to focus in on one feature which I think is a hugely important step in consumer electronics: the screen, and in particular the pixel density.

What is pixel density and PPI?

So firstly what is the pixel density, how is it measured and why is it important? The pixel density is the number of pixels in a given area of a screen. You can measure the pixel density in a number of ways but a common if arcane one for the moment is PPI, which is the number of pixels per linear inch on a screen and it is very similar to DPI: the dots per linear inch printed on a piece of paper. The screen on your computer is probably about 100 PPI and therefore it is probably pretty easy for you to see an individual pixel. This means that if you try to make text with just black and white pixels it comes out looking noticeably blocky like this:

An example of blocky text

To get over this blocky look programmers use a range of techniques, the simplest is called anti-aliasing, which is the method Flash uses. This involves sampling the text at a sub-pixel scale and then using mid tones to represent pixels which are partly full, which looks like this:

An example of anti-aliased text

The method you’ll probably be most familiar with for making text as sharp as possible uses the fact that each pixel on a computer screen is made up of a red dot, a blue dot and a green dot, and it displays text  in multi colours so that it uses these sub pixels.

Sub pixel text rendering

But what PPI would you need so that you wouldn’t need to do all this clever stuff with aliasing? How small would a pixel have to be so that your eye no longer has the optical resolution to resolve a single pixel? Well the answer is the same for screens as it is for print: 300 DPI. And what is the pixel density of the iPhone 4 screen? 326 PPI.

The iPhone 4 screen

I think the screen looks stunning, it’s amazing how detailed the icons are and it’s slightly perplexing that you can’t see the pixels no matter how close you get. To give you an idea of how many pixels this screen has check it out pixel for pixel on your own monitor:

The iPhone 4 home screen

This allows Apple to produce a reading experience that is much closer to and may become preferable to reading on paper, and I think it is a vision of the future.

Now before everyone says it, I know this isn’t the first device with a high pixel density screen, but it’s probably the first one that most people will see and although Apple may not be the first to bring these features to market, they produce the device that changes the market.

The future of computing and websites?

I think it is inevitable that there will begin to be demand for these high pixel density screens on desktop, laptop and netbook computers in the coming years, but it poses two huge problems: a hardware problem and a software problem.

The harware problem is a simple one, for a 22 inch screen you would need a resolution of about 5550 x 3450 pixels, which is going to be difficult to manufacture and expensive to buy.

The software problem is a little more fundamental. Historically when screen resolutions have increased so have the physical size of the screens, which has kept the PPI approximately the same. So this gave you more screen real estate but kept the physical size of – let’s say – the start bar the same. You can see how little change there has been in pixel density by looking at this screen shot of Windows 95 from 15 years ago!

A screen shot of Windows 95

This stability of pixel density has allowed developers to use the number of pixels as a stable measurement that corresponds to a physical size on the screen. This basically means if you went to the Igloo site on one of these imaginary screens the Igloo site would measure just 10cm across, which is clearly not how it was intended… Even things like the text size are not defined in terms of their final size like they are on paper, but on their height in pixels.

So what does this mean for the future of the web? Well obviously it doesn’t spell it’s demise! Old websites could just be scaled to be three times bigger (or nine times the area!) and they would still be blocky but they would be the physical size they were intended; the text could then be rendered at a higher quality but a similar physical size. That is the approach that Apple took when viewing legacy iPhone apps on an iPhone 4. But what about new websites? Will browsers have a feature that scales new websites down for older computers? Or will developers have to produce two versions until the user group using these old fashioned screens is small enough to ignore? That will depend on the operating systems and the browsers and ultimately only time will tell.

I would like to see a step change in the way that websites and indeed operating systems work, whereby image and text sizes are measured in mm and points instead of pixels, and will have a “DPI”. Each element would then be rendered for each person’s screen. This would be a major step in freeing up hardware manufacturers to produce high pixel density screens and ultimately would be a great step towards the paperless office.

Perhaps the change will be so complex to make that by the time the technology is ready the world wide web of hyper-linked web pages would have been superseded by the next generation of internet pages/programs.

For me though the change to high pixel density screens (or HPD screens to coin a term) can’t come soon enough.

20 July 2010
The rareness of great shop signs

by Mike Scott

In some ways it’s not a huge surprise that the boutiques, shops and galleries in the very much creative/art/craft-focussed Columbia Road – which on Sundays transforms into the hectic flower market, the only day that most of the shops are open – all have fine shopfronts and signs.

Yet it’s fairly rare in the present climate (of faceless commerce and the proliferation of amateur/do-it-yourself graphic design) to find even one genuinely well-composed bit of type on the front of a non high-street shop.

London’s Columbia Road bucks this trend many times over, with almost all of the façades (there’s still the inevitable Londis letting the side down) featuring a fine awareness of  type, composition and colour.

Some are especially beautiful (Supernice, Doxi, Given) and a couple are very nice if not perfect (Openhouse, Milagros), but most are wonderfully simple and all possess immense personality. Design, in this visual sense, is ultimately about suggesting character.

Apologies for some quick photography and strange angles..

15 July 2010
Work — Jynnan Tonnyx logo

by Mike Scott

Olly spends many a weekend sailing the family boat in various amateur races around the choppy waters of the Solent. The boat is called Jynnan Tonnyx, a Hitchhiker’s Guide To The Galaxy reference, a reference that we referenced (!) when creating a logo for it.

The various graphics that have been used over the years for the book/film/tapes/teatowels led us to a nice bit of typography on the poster for the 2005 film.

This inspired a bespoke typeface in the same geometric style. Wanting to avoid being too literal/cheap with the visual reference, we made sure it was different enough. Set on two lines and in capitals, the two words of the name have a natural geometry, and this in turn gives the logo a nice aspect ratio (rather then being long and thin), which is helpful in applying the logo to t-shirts, jackets, and of course the boat. Here it is lovely and large on the hull:

All they need to do now is win some races!

14 July 2010
Automatically move Gmail sent emails to Outlook 2007′s POP3 sent folder

by James Gretton

When using Outlook and POP to download your Gmail, GoogleMail or Google Apps emails, you’ll find that any emails sent from the Google webmail interface or from IMAP will be downloaded straight into your Outlook inbox.

This ensures that Outlook contains a record of all sent emails, wherever you’ve sent them from.

To get these emails in your Outlook sent mail folder, you’ll need to set up a filter:

  1. On Outlook’s main menu, select Tools > Rules and Alerts
  2. Click the New rule button
  3. Select “move messages from someone to a folder”, click Next
  4. In the bottom box, click “people or distribution list”
  5. In the field at the bottom enter your own email address, click OK.
  6. Click “Move to the specified folder” and select “Sent items”
  7. Click Next
  8. Tick “mark it as read”
  9. Click Next
  10. Tick “except if my name is in the To or CC box”
  11. Click Next
  12. Give this rule a name such as “Move Gmail sent mail”
  13. Click OK

14 July 2010
Welcome to the new Igloo!

by Olly Lockett

PS It's our logo in shelves...

Well it’s been a long time coming, but we’ve finally launched our new brand identity (hurrah!).

We’ve been working on our new identity and website behind the scenes in stolen moments over the last few months and we’re very pleased to finally launch it. So why has so much changed? For that we’ll need a little history…

James and I set up Igloo Web Design five years ago as a web design business with the aim of creating some of the most innovative, beautiful and advanced sites on the net whilst being easy to use and business focussed. We realised quickly that graphic design was key to our sites and that many of our clients would benefit from an integrated provider of a much broader range of graphic design services, we therefore employed Mike, our graphic designer, whose talents have been a great asset to the business ever since.

As most of our contemporary clients know, we now deliver a range of services that enable us to take a project right from inception all the way to delivery across multiple platforms: from unique packaging to sophisticated online business tools. As you’ll see from this site we believe that the rare capability of having a small, talented, multi-disciplined team that can each bring their input to a single project at all of its stages produces the best work and ultimately the best results for our clients.

So it has become increasingly important that our identity reflects the broad range of services that we provide and shows off some what makes us unique. So let me take this opportunity to talk you through what has changed and what hasn’t.

The people?!

Rest assured we’re still the same team, working from the same super-cool office in East London, we even have the same telephone number. If you’ve never come to visit us we’d love to show you around and maybe catch a drink in one of the great nearby bars or pubs.

The name!

So we’ve changed our trading name from the rather long winded Igloo Web Design to the more snappy Igloo. Does this mean we have stopped making websites… no! We still make some of the best, most advanced and unique sites on the web, but it no longer gives the impression that’s the only thing we do.

The logo…

We needed a new logo which… well, was designed by our graphic designer. The logo is made of two parts, each of which can be used independently or together and in any colour. It is designed to be flexible, playful and striking, we hope you agree.

The website:

Well what a change, out with the old and in with the new, we’ve had a lot of fun creating our new site. As you can see it is heavily based around our work, but it’s is also designed to be updated regularly with our latest work, new services and (through this blog) our latest thoughts on design, technology, business, things that make us laugh and things that make us cry.

The domain –

So, apparently www.igloo.com is taken. And although we considered www.igloo.tanzania we decided to go for something a little different. We wanted something short and something fun so we settled on www.goigloo.com, which doubles up as an inspirational chant if we ever play American Football.

Fun :{

Coming soon…

A lot of people commented on our perpetually coming soon section on the old site (yes yes, very funny). And I must admit it makes me sad to replace the site without ever putting something up, however: new site, new fun section (which will reside in this blog until we replace it with something more serious) and we have something to go in it… go on have a look.

So that’s all for now, let us know what you think.

Bye

14 July 2010
Two Wrongs

by James Gretton

Two wrongs make a site…

www.twowrongs.co.uk

14 July 2010
Sam Smith’s location map

by James Gretton

Believe it or not, James isn’t an alcoholic, but he is a massive geek. Ever wondered where your nearest Sam Smith’s pub is? Well now you can find out yourself – there’s even a postcode search!

Visit James’ Samuel Smiths Map

 

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